There’s a kind of art that dazzles before it dies. Sugar sculpting. You take granulated sweetness, melt it under precise heat, and stretch it into impossible shapes. Delicate wings. Crystal towers. A carousel of fragile wonder—all hollow inside, brittle to … Read More
Reflections
You know, the most dangerous lies are the ones we tell ourselves. A mirror doesn’t create a flaw. It only reflects what was already broken. But Drewitt, you never learned to look clearly. You didn’t survive betrayal by facing it. … Read More
False Offerings
They call it Lambs to the Slaughter. Not as warning. But as branding. Twenty competitors, each one told they’ve earned a place. That this match is a test of grit, of legacy. Of greatness. But it isn’t really a test. … Read More
By the Blade
The scene opens in Elysium. The kitchen is pristine and untouched, yet Anton Savor stands at its center like a magistrate in his court. Before him, a carving board. A sharp knife rests beside it, its polished blade catching the … Read More
Of Feast and Famine
The scene opens in Elysium, the kitchen alive with quiet purpose. The scent of fresh bread lingers in the air as Anton Savor stands before a worn wooden counter, kneading dough with calm precision. Beside him, a loaf rests, golden … Read More
A House Built on Sand
The scene opens in Elysium’s kitchen. Anton Savor stands before an unmarked wooden board, a mound of fine white sand spread evenly across its surface. His fingers trail through it, shifting and shaping the grains, but never allowing them to … Read More